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Thursday, October 21, 2010
This is the Elysium 154 House project undertaken by BVN architecture in 2009. It is located in Noosa, Queensland, Australia. A minimalist design was chosen for this project, but even in a minimalist design, this house still looks luxurious and glamorous. See details of this house 154 Elysium of the photos below:
Minimalist Home Designs
Elysium exterior 154 Minimalist House Design is by BVN Architecture
Home Interior Design
Staircase design
Kitchen design
Project Description:
The Elysium 154, Noosa project is the development of housing for the last sub-division in a very desirable zip code Noosa Heads. Large sites consisting of 189 home rations, public facilities (tennis courts, health spa, water facilities), parks and nature reserves are located inland from the coastline adjacent to Lake Weyba Noosa. wavy, beautiful views of the site maintains extensive pockets of existing vegetation and given a distant view to the Sunshine Coast hinterland beyond.
This home site enjoys a truly beautiful, which slopes gently from the road south toward a small park and open space to the north. A gentle, sweeping, curved walls and forms that identify this house is produced by an intuitive response to reach both the north-east aspect and views over the park area north. Finished textured external wall folding back into the residential interior along the walls and ceilings where the edge of carefully detailed and smooth transition with the internal wall allows the threshold between inside and out had been distorted. Drawing an external garden and pool room into a luxury building has reinforced a sense of subtropics. [Via]
The Elysium 154, Noosa project is the development of housing for the last sub-division in a very desirable zip code Noosa Heads. Large sites consisting of 189 home rations, public facilities (tennis courts, health spa, water facilities), parks and nature reserves are located inland from the coastline adjacent to Lake Weyba Noosa. wavy, beautiful views of the site maintains extensive pockets of existing vegetation and given a distant view to the Sunshine Coast hinterland beyond.
This home site enjoys a truly beautiful, which slopes gently from the road south toward a small park and open space to the north. A gentle, sweeping, curved walls and forms that identify this house is produced by an intuitive response to reach both the north-east aspect and views over the park area north. Finished textured external wall folding back into the residential interior along the walls and ceilings where the edge of carefully detailed and smooth transition with the internal wall allows the threshold between inside and out had been distorted. Drawing an external garden and pool room into a luxury building has reinforced a sense of subtropics. [Via]
Wednesday, October 20, 2010
It's a really small USB drive! Storage comes up at around 8GB, of which 7.5GB is used for the OS X and iLife installers.MacBook Air USB Software Reinstall Drive
Friday, October 15, 2010
Tuesday, October 12, 2010
Home design with the color orange. Archimania have designed this minimalist house in 2005 for the client company Pantik Home Builders. Orange House is the name of a house built in 2833 total SF. The concept of this project is to create a modern home that is conducive to urban family life, set in a New Urban community on the edge of Downtown Memphis.
The house is divided into three main sections based on each function part, each given to his own material. Front elevation consists of corrugated metal volume of orange-clad cantilevered above the lower level, wrapped in cement panels. Entry was made between primary and secondary mass of orange mass housing offices, are given in the redwoods.
The house is divided into three main sections based on each function part, each given to his own material. Front elevation consists of corrugated metal volume of orange-clad cantilevered above the lower level, wrapped in cement panels. Entry was made between primary and secondary mass of orange mass housing offices, are given in the redwoods.
Friday, October 8, 2010
This is Russian Hill Apartment Interior Design in San Francisco. Zack / de Vito Architecture complete their project to renovate the 19th floor apartment in San Francisco Modern Russian Hill.
Apartments are the best solution of housing problems in big cities like San Francisco. The availability of land in major cities to promote the developer to build apartments. And now lives in an apartment is common to man.
Although the apartment is very different from private homes, but with the right interior design and furniture arrangement will remove that kind of distinction between houses and apartments.
Apartments are the best solution of housing problems in big cities like San Francisco. The availability of land in major cities to promote the developer to build apartments. And now lives in an apartment is common to man.
Although the apartment is very different from private homes, but with the right interior design and furniture arrangement will remove that kind of distinction between houses and apartments.
Wednesday, October 6, 2010
Thursday, September 30, 2010
This is a beautiful garden design and cool. One way to enhance the beauty of the home is to attend a garden in our yard. Houses become barren and gives the impression of calm. Especially when summer comes. For this reason Lutsko Associates made a garden in an urban housing in San Francisco.
The concept of this project is an open architecture for daily life, maximizing the impact and experience of a small space. The breakthrough of this sunlight can park with ease because there is no roof in this park. Another advantage is that we can enjoy the garden from the balcony of the second level instead of the inside of the house. Design pays attention to the sensory experience of materials and planting, which contributed to the richness and beauty of the park.
Description:
This city park in the Pacific Heights district of San Francisco around a single family home. The house was designed in 1990 by noted Bay Area architecture firm EHDD under the guidance of the late Joe Esherick. When viewed from two house sites overlooking the balcony, the park is a graph of the composition of space, materials and planting. From this perspective much of San Francisco Bay and Alcatraz Island slip into the views of the city spread out below the property. This park is designed to bring a sense of urban city fabric into the site. From inside, the garden intimately experienced as a sequence of outdoor rooms, their space and design features hidden sequence and expressed as a threshold passing each other in composition.
This park is divided into a series of three enclosed garden room, each tightly defined by the architecture and / or planted edge. Various treatments translucent-edge glass, hand troweled plaster, bronze curved walls, and planting-explore the relationship between the viewer and the adjacent off-site conditions. The walls between rooms consisting of Prunus caroliniana hedge cut, fit within the framework of structural steel. Thresholds between rooms create a sense of mystery and discovery as one moves through the park.
Each room is different in shape and quality. The first room, which requires light and privacy, defined by clear glass that transmits light and reveals the subtle shape of the outer edge of the garden. edge is reinforced by a steaming Pelargonium tomentosum and cacaliifolia Salvia to bring the natural flavor and fragrance into the room otherwise constructed. Osmanthus fragrans sculptural form branched multi-wall plaster, clean end to end view this space. The second room is dominated by the most dramatic elements of the park, a large curved wall made of bronze. From the slot in the wall, water cascades into the basin cut into the pavement beneath. Placed against the wall of the adjacent buildings, water features create a sensual edge with space, quiet introspective. In the third hall, visitors got a surprise vista of the city, bay, and the Trans-America building through the open window like a translucent wall panels. reeded panel's glass-covered walls of the Beaux-Arts fence neighbors recognize pastiche of the city, and is a reference to changing the architectural style from time to time. A lemon tree, espaliered plaster wall, in line with the axial views of the garden.
Park employs a large patch of contrast material to make a bold graphic composition: limestone paving of light that shines in the fog of San Francisco is interspersed with bands of wool thyme; dark granite stone engraved with a spiral pale to generate a mosaic. Restrained planting palette, shades of green and Grey with white flowers give priority to form over color. Bold-textured foliage contrasts dramatically with the materiality of space. The combination of material selection and composition of the structure to respond, simpler forms of home distilled. Park became home to a literal extension of everyday life while still associated with adjacent urban forms. [via]
The concept of this project is an open architecture for daily life, maximizing the impact and experience of a small space. The breakthrough of this sunlight can park with ease because there is no roof in this park. Another advantage is that we can enjoy the garden from the balcony of the second level instead of the inside of the house. Design pays attention to the sensory experience of materials and planting, which contributed to the richness and beauty of the park.
Description:
This city park in the Pacific Heights district of San Francisco around a single family home. The house was designed in 1990 by noted Bay Area architecture firm EHDD under the guidance of the late Joe Esherick. When viewed from two house sites overlooking the balcony, the park is a graph of the composition of space, materials and planting. From this perspective much of San Francisco Bay and Alcatraz Island slip into the views of the city spread out below the property. This park is designed to bring a sense of urban city fabric into the site. From inside, the garden intimately experienced as a sequence of outdoor rooms, their space and design features hidden sequence and expressed as a threshold passing each other in composition.
This park is divided into a series of three enclosed garden room, each tightly defined by the architecture and / or planted edge. Various treatments translucent-edge glass, hand troweled plaster, bronze curved walls, and planting-explore the relationship between the viewer and the adjacent off-site conditions. The walls between rooms consisting of Prunus caroliniana hedge cut, fit within the framework of structural steel. Thresholds between rooms create a sense of mystery and discovery as one moves through the park.
Each room is different in shape and quality. The first room, which requires light and privacy, defined by clear glass that transmits light and reveals the subtle shape of the outer edge of the garden. edge is reinforced by a steaming Pelargonium tomentosum and cacaliifolia Salvia to bring the natural flavor and fragrance into the room otherwise constructed. Osmanthus fragrans sculptural form branched multi-wall plaster, clean end to end view this space. The second room is dominated by the most dramatic elements of the park, a large curved wall made of bronze. From the slot in the wall, water cascades into the basin cut into the pavement beneath. Placed against the wall of the adjacent buildings, water features create a sensual edge with space, quiet introspective. In the third hall, visitors got a surprise vista of the city, bay, and the Trans-America building through the open window like a translucent wall panels. reeded panel's glass-covered walls of the Beaux-Arts fence neighbors recognize pastiche of the city, and is a reference to changing the architectural style from time to time. A lemon tree, espaliered plaster wall, in line with the axial views of the garden.
Park employs a large patch of contrast material to make a bold graphic composition: limestone paving of light that shines in the fog of San Francisco is interspersed with bands of wool thyme; dark granite stone engraved with a spiral pale to generate a mosaic. Restrained planting palette, shades of green and Grey with white flowers give priority to form over color. Bold-textured foliage contrasts dramatically with the materiality of space. The combination of material selection and composition of the structure to respond, simpler forms of home distilled. Park became home to a literal extension of everyday life while still associated with adjacent urban forms. [via]
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